Tiohtià:ke/Montréal
London
Alger
Paris

Berirouche Feddal
studio@berirouche.ca

Born in Rouiba in 1996 and raised between Algiers and Irdjen, his parents’ Kabyle village, Berirouche Feddal was ten when he landed in Pointe-aux-Trembles, at the eastern tip of Tiohtià:ke. He now works between Montréal, London and Algiers, and is pursuing an MFA at Goldsmiths. His practice is a souk where nothing settles: abstract and figurative, object and performance, war and colour, Pan-Africanism and its violence. Stadium chants become protest songs; gold and wheat ask to be worshipped. He works with what time leaves behind: rusted objects, henna rusting in the elders' hair, relics of childhood that hide inherited horrors. Kardoune, devotional symbols and burned wood carry the voices of parents and villagers, the afterlives of colonial history, the ghosts that refuse to leave. His colour began underfoot, on his grandmother's carpets. His work talks to the dead, leaves space empty, and allows itself to forget.

CV


PRESS
Dans les plis du souvenir, les couleurs se taisentVie des arts, no. 279, Winter 2025VisitesText: Dounia Bouzidi
Fleurs fanées: Anna Binta Diallo et Berirouche FeddalVie des arts, no. 275, Summer 2024Créations
L'art de recycler des bouts de muséeLe Devoir, April 24, 2024Text: Stéphane Baillargeon
La révolution des couleursLe Devoir, March 30, 2024Text: Amélie RevertPhoto: Adil Boukind
Dans l'atelier de Berirouche FeddalEsse arts + opinions, no. 110, AgricultureText: Nicholas DawsonPhotos: Alexandra Dumais
VIDEOS
▶ Play
la clarté creuse les montagnes, 2026Musée d'art de JolietteCurated by Ariane De BloisWith asinnajaq, Nathalie Batraville, Stina Baudin, Amanda Boulos, Shannon Garden-Smith, Frantz Patrick Henry and Tyson Houseman
▶ Play
Afrotopos, 2025Stewart Hall GalleryCurated by Diane GistalWith Damien Ajavon, Delali Cofie, Anna Binta Diallo, Marie-Danielle Duval, ibiyanε and Roxane Mbanga
▶ Play
Textile Beyond Craft, 2023Round table: Reflections on the Montreal SceneCentre de design UQAMModerated by Christina ContandriopoulosWith Édith-Anne Pageot and Michaëlle Sergile
▶ Play
Spoliation du souk, 2022Conseil des arts de MontréalCurated by Michelle Caron and Colas Eko
PODCAST
Conjuguer les identités qui nous habitentIn/Tension, The Power Plant, 2023Hosted by Diane GistalWith Anna Binta Diallo42 min
▶ Listen
Adorer le veau d’or 2022
In the Book of Exodus, while Moses is on Mount Sinai, the Hebrews, having left Egypt, ask Aaron to make them a god. Aaron melts the gold of their earrings and shapes it into a calf, which the people worship. This golden calf recalls the Apis bull, worshipped in Egypt.

The starting point of my project is to explore the idols of our time, echoes of those of ancient times, whose images resonate in our patriotism and our imagined borders. Our present nature shows itself in a conceptual idolatry, a contemporary fetishism. Between icons and idols, this exhibition mixes my personal memories with ancient stories and symbols, made hybrid.

Berirouche Feddal
Foyer du Théâtre des Muses
Maison des arts de Laval, Laval, Canada
November 27, 2022 – January 29, 2023

Photos: Guy L’Heureux

Remerciement;  Jasmine Colizaa

Press: La Presse, January 18, 2023

1962, je suis parti avec Marianne2022Oil pastel on Arches paper79.2 × 64.5 cmPhoto: Guy L’Heureux
Inability to manage our feelings2022Oil, acrylic, oil pastel and Como silk jacquard on canvas182 × 391 cmPhoto: Guy L’Heureux
Inability to manage our feelings (detail)2022Oil, acrylic, oil pastel and Como silk jacquard on canvas182 × 391 cmPhoto: Guy L’Heureux
Inability to manage our feelings (detail)2022Oil, acrylic, oil pastel and Como silk jacquard on canvas182 × 391 cmPhoto: Guy L’Heureux
Inability to manage our feelings (detail)2022Oil, acrylic, oil pastel and Como silk jacquard on canvas182 × 391 cmPhoto: Guy L’Heureux
Adorer le veau d’orInstallation view, Foyer du Théâtre des Muses, Maison des arts de Laval, 2022Photo: Guy L’Heureux
Adorer le veau d’orInstallation view, Foyer du Théâtre des Muses, Maison des arts de Laval, 2022Photo: Guy L’Heureux
L’imposant, imposé2022Oil, acrylic and oil pastel on canvas279.5 × 173 cmPhoto: Guy L’Heureux
Le croissant et la lune I and II2020Oil pastel and crayon on paper32 × 40 cm eachPhoto: Guy L’Heureux


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